Some that the numbers of decided in "Death, Be no Proud" encompass apostrophe, allusion, paradox, and caesura. Together, these devices create a belittling tone toward death and ultimate expect in one eternal afterlife.

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The city is an example of apostrophe, addressing death (personified) as a life being who is for this reason listening to the speaker. This intentionally removes the an enig or sense of superiority in the principle of death, making the seem together though fatality can be easily defeated.

Allusion is provided in...


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The city is an example of apostrophe, addressing death (personified) as a life being that is hence listening come the speaker. This intentionally clears the secret or feeling of superiority in the principle of death, making that seem as though fatality can be quickly defeated.

Allusion is supplied in the last line. 1 Corinthians 15:26 states, "The last opponent to be ruined is death." This both echoes the sentiments the the poem, nothing that death is the enemy of humanity, and also that death has no strength itself. Ultimately, those who think in Christ will defeat fatality through salvation and also eternal life. The speaker of this poem notes that death is just a "short sleep," after i beg your pardon "we wake up eternally / and death shall be no more."

A paradox is established in these lines:

For those who thou think"st she dost overthrowDie not

Death think it it feasible to "overthrow," or finish the lives of, humanity. Another means to rephrase this would be "The human being you think you have killed space not dead." This paradox reinforces the central meaning of the poem, that death has no can be fried power and is only a temporary shift into a much much more powerful afterlife.

Caesura, i m sorry is an intentional pause within a line of poetry, is supplied in the opening:

Death, be no proud, though some have called thee

These pauses create two purposes. First, the to plan audience is made clear. It"s a slow and also intentional straight address, rather confrontational in nature because of the long pauses. Second, the main idea that the poem is gift in a spicy way. Death cannot contact itself proud, and the speaker will administer the assistance for this statement transparent the poem. Caesura creates a dramatic opened for this poem, i beg your pardon one would expect once addressing fatality itself.

All of these gadgets are supplied to attain a practically belittling tone towards death and therefore propel the ultimate article of expect in an eternal afterlife.


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The most necessary figure of decided in the poem is the personification of "Death." by personifying death, Dickinson provides it seem less powerful. In fact, she renders it it seems ~ mortal, and vulnerable, as with people. This is the suggest that Dickinson makes throughout the poem. Toward the end of the poem, she emphasizes the point by posing a rhetorical question, handle to death. She asks, "why swell"st she then?" The suggest of a rhetorical inquiry is to placed an implied price in the listener"s mind. The implied prize here, based upon what Dickinson has actually said about death formerly in the poem, is that fatality should no be arrogant, and also so has actually no factor at every to "swell."

Throughout the city Dickinson also uses a most imperative phrases. An command phrase begins with a verb, and also is expressed as an order. Because that example, "be no proud," and also "Die not, negative Death." By making use of imperative phrases like this, Dickinson is implying that death is not the one with the power. Fatality is the one who have to take the orders.

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Dickinson continues to, together it were, put "Death" in its place, through describing exactly how it is, metaphorically, "slave to fate, chance, kings and also desperate men." In various other words fatality comes when summoned or ordered by kings, or when called upon by desperate, suicidal men, or sometimes merely when fate or chance decides that fatality should occur. The suggest of the "slave" metaphor is to compound the idea discussed above, that death does not have preeminence over men, or fate, however is a "slave" come the whims the both.