INTRODUCTION

In this unit you will certainly learn more fretted note on the 4th string, sixteenth rhythms and dotted eighth rhythms. Friend will additionally learn how to apply these rhythms in both an easy and compound meters.

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NOTATIONS

Notes

The note ‘D♯’ and ‘E♭’

‘D♯’ and ‘E♭’ space enharmonics. To play ‘D♯’ or ‘E♭’, worry the first fret ~ above the fourth string.

The note ‘F♯’ and also ‘G♭’

‘F♯’ and also ‘G♭’ space enharmonics. To play ‘F♯’ or ‘G♭’, worry the 4th fret top top the fourth string.

The keep in mind ‘G’

You already learned to review this keep in mind as the open 3rd string. However, this very same pitch have the right to be played together the 5th fret that the fourth string as well.

The Sixteenth note in basic Meter

In simple meter, a sixteenth note sustains because that one-quarter that a beat. The sixteenth note have the right to be composed in two ways: either v two beams or two flags.

Beamed 16 Notes

Four sixteenth notes room written here. The sixteenth note consists of a keep in mind head that is fancy in, a stem and two beams. In this example, the beam connects four sixteenth notes. 4 sixteenth notes add up to one 4 minutes 1 note.

Flagged 16 Notes

In this example, the sixteenth notes contain flags instead of beams.

Sixteenth Rest

A sixteenth rest creates silence because that one-quarter the a beat. The 16 rest is composed of a diagonal line through two small flags.

Counting Sixteenth note in simple Meter

The an initial sixteenth obtain a number, which represents the beat’s placement in the measure. The 2nd sixteenth receive the sound ‘ee.’ The third sixteenth receives words ‘&.’ The 4th sixteenth receive the sound ‘ah.’ as soon as you play music with sixteenth rhythms, I suggest you count v “1e&a…” throughout the entire piece, even when you encounter eighth, quarter, fifty percent and totality note rhythms. This will help you keep a steady beat. See the video clip above for examples of counting transparent this unit.

The Dotted Eighth keep in mind in simple Meter

Dotted Eighth Note

The dotted eighth note sustains because that three-quarters of a beat. The dotted eighth note is composed of an eighth keep in mind with a dot positioned close to the notehead.

Dotted Eighth Rest

The dotted eighth remainder creates silence because that three-quarters of a beat. The dotted eighth rest is composed of one eighth rest with a dot positioned close come the symbol.

Dotted Eighth & Sixteenth note Combinations

https://chrischona2015.org/app/uploads/sites/81/2018/04/dotted-simple.mp3

Since the dotted eighth holds because that three-quarters of a beat and the 16 holds for one-quarter the a beat, they frequently beam together to type a team that adds approximately one beat. The example above shows 2 combinations the frequently appear in music.

Eighth & Sixteenth keep in mind Combinations

https://chrischona2015.org/app/uploads/sites/81/2018/04/combos-8-16.mp3

Eighth notes and sixteenth notes also frequently beam together to adds up to one beat. The example over shows three possible combinations.

The Sixteenth keep in mind in link Meter

Counting Sixteenth note in compound Meter

https://chrischona2015.org/app/uploads/sites/81/2018/04/counting-16.mp3

In Unit 9 friend learned the following around compound meter: the dotted quarter note sustains because that a beat and also the eighth keep in mind sustains for one-third that a beat. Therefore, the sixteenth note sustains for one-sixth the a beat. The graphic above shows two possible ways of count sixteenths in link meter.

Eighth & Sixteenth keep in mind Combinations

https://chrischona2015.org/app/uploads/sites/81/2018/04/combos.mp3

Eighth notes and sixteenth notes generally beam together to form groups that include up to one beat. The example over shows 3 of the many possible combinations.

The Dotted Eighth note in compound Meter

Counting Dotted Eighth note in link Meter

https://chrischona2015.org/app/uploads/sites/81/2018/04/dotted-compound.mp3

In compound meter, the dotted the eighth keep in mind sustains because that one-half the a beat. The dotted eighth keep in mind is generally paired through a sixteenth note. One possible mix is above.

Sight-Reading Tip

The score is a like map the leads you together an explorer to the website of music treasure. As soon as there, you need to dig deep into the notation come unearth musical gems.

Some composers are explicit around the type of music treasure they desire you come find. For example, in this series, note Popeney, Bahaa El Ansary and Ashraf Fouad are in-depth and specific about dynamics, ornaments and also articulations. As a classical musician, i strive to attain the composer’s vision by play all the notations on the score. I encourage girlfriend to execute the same.

However, it is necessary to keep in mind that some composers deliberately produce scores complimentary of extra notations. Typically, this composers entrust you to add dynamics, ornaments and articulations follow to your creative sensibility. It helps to understand the composer’s impacts or know the genre’s stylistic features. Because that example, Brandon Mayer’s compositions indicate a bluegrass aesthetic and Emile Porée’s pieces evoke a jazz style.

Checklist for Sight-Reading

Count the beats the end loud (including the &).Keep going (even if you make a mistake).Maintain your finest playing posture.Look at the score, no your hands.Play v the feel of the meter.Play patterns rather of individual notes (AKA chunk).Cultivate a calm demeanor.Have fun!

Let’s beat Rhythms

Exercise 13.1: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.1-Audio.mp3

The complying with piece provides beams end rests to assist emphasize win groupings. Part musicians think sight-reading is easier when this type of rhythmic notation is used.

Exercise 13.2: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.2-Audio.mp3

Exercise 13.3: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.3-Audio.mp3

Exercise 13.4: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.4-Audio.mp3

Exercise 13.5: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.5-Audio.mp3

Let’s pat Patterns

Exercise 13.6: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.6-Audio.mp3

Exercise 13.7: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.7-Audio.mp3

Let’s beat Duets

from A Chantar: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.8-Audio.mp3

La Religieuse Portuguaise: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/La-Religieuse-Portuguaise-Audio.mp3

from Invention in C Major: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Exercise-13.9-Audio.mp3

Let’s pat Compositions

These compositions space under the an innovative Commons Attribution-NonCommercial 4.0 worldwide License  (CC BY-NC 4.0).

Obelisk No. 1: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Obelisk-No-1-Audio.mp3

Throughout this series, you are welcome to play top top any type of guitar you choose (nylon string, stole string or electric.). However, if girlfriend would ultimately like to execute the following piece, please note that the composer recommends making use of a steel-string guitar.

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During, No. 2 indigenous Brief Moments: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/During-Audio.mp3

Cueurs Desolez Par Toutes Nations  is ultimately meant for voice through guitar accompaniment. However, the vocal component is perfect because that your guitar sight-reading practice. You re welcome play the vocal part on her guitar and also if you prefer it, try singing along!

Cueurs Desolez Par Toutes Nations: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Cueurs-Desolez-Audio.mp3

Process i is a good piece for sight-reading sport on 16 rhythms. However, you might want to approach this item a bit in different way from the rather on account of a few issues. The main problem is the the MIDI etc 2 audio (below) consists of tremolos the sound an ext like technical glitches 보다 actual guitar tremolos (note that a genuine Guitar 2 part will be added eventually). If the guitar 2 component is also distracting, you might want to simply play etc 1 in addition to a metronome click. The secondary issue is the the piece is long. I suggest you sight-read the rhythms ~ above one pitch an initial and climate sight-read the whole piece (or a far-reaching section of it).

Process I from The arts of Process: Audio

https://chrischona2015.org/app/uploads/sites/81/2018/04/Process-I-Audio.mp3